Heute im Kino Intimes
Today at the Movies
Das Kinoprogramm wird wöchentlich aktualisiert. Die Kinokasse ist Mo-Fr ab 13:30 und Sa-So ab 11:30 Uhr geöffnet. Ermäßigte Tickets gibt es nur an der Kinokasse (Ausnahme: bei Kinder- und Familienfilmen auch im Online-VVK). Reservierung empfohlen. Reservierte Tickets müssen bis 15 min vor Beginn abgeholt werden. Bitte beachtet die Angaben zu den Sprachversionen. Filme ohne Kennzeichnung sind auf Deutsch.
Wochenprogramm / Weekly schedule »
Jetzt im Programm: Flyer 9. - 15. Mai | Robot Dreams | Poor Things | Civil War | Dune: Part Two | Ein Glücksfall (Coup de chance) | One Life | Union - Die besten aller Tage | Sieger sein | Jetzt im Vorverkauf: Furiosa: A Mad Max Saga
Anime im Kino: SPY x FAMILY CODE: White | Digimon Adventure 02: The Beginning
What Berger has created with 'Robot Dreams' is not just one of the finest animations of recent years; it’s also one of the most persuasive love letters to the city of New York.
So traurig wie wunderschön: Ein auf das Bedeutsamste reduzierter, aber gerade deshalb hochemotionaler Comic-Nostalgietrip für Groß und Klein! Eine berührende Geschichte über eine Freundschaft zwischen Einsamkeit, Verbundenheit, Verlustangst und der Möglichkeit eines Neuanfangs.
We have met the enemy and it is us. Again... Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor’s face that, like Dunst’s, expressed a nation’s soul-sickness so vividly that it felt like an X-ray.
Forget 'Ex Machina,' this is Alex Garland’s best film yet.. Garland may have just delivered one of the most vicious and unrelenting watches of the year, one that I’ll keep debating and untangling both in my head and with others for a good long while.
Stone gives a hilarious, beyond-next-level performance in Lanthimos’s toweringly bizarre comedy: Everything in it – every frame, every image, every joke, every performance – gets a gasp of excitement.
Das Aufregendste, was es seit langer Zeit im Kino zu sehen gab: In dem fantastischen Film erweckt Schauspielerin Emma Stone eine roboterhafte Frauenkreatur meisterhaft zum Leben. Ein Wunder der Selbstfindung.
Stuffed with rude delights, spry wit, radical fantasy and breathtaking design elements, the movie is a feast. And Emma Stone gorges on it in a fearless performance that traces an expansive arc most actors could only dream about.
Poor Things is the best film of Lanthimos’ career and already feels like an instant classic, mordantly funny, whimsical and wacky, unprecious and unpretentious, filled with so much to adore that to try and parse it all here feels like a pitiful response to the film’s ambitions.
![Poor Things Emma Stone Film 04](programm/2024/Poor-Things-Emma-Stone-Film04.jpg)
Emma Stone in Poor Things © 2023 Searchlight Pictures All Rights Reserved
It’s an alchemic combination, this continuing collaboration between Lanthimos and Stone, a working relationship that started with The Favourite... Two talents that could hardly be described as risk-averse in the first place, together they unleash in each other an extra level of uninhibited artistic daring that, one suspects, must be rooted in an uncommon degree of mutual trust.
![Yorgos Lanthimos and Emma Stone on the set of Poor Things - Foto Atsushi Nishijima](programm/2024/Yorgos-Lanthimos-and-Emma-Stone-on-the-set-of-Poor-Things-Foto-Atsushi-Nishijima.jpg)
Yorgos Lanthimos & Emma Stone on the set of Poor Things. Photo by Atsushi Nishijima © 2023 Searchlight Pictures All Rights Reserved
Villeneuve treats each shot as if it were a painting. Every design choice seems handed down through millennia of alternative human history, from arcane hieroglyphics to a slew of creative masks and veils meant to conceal the faces of those manipulating the levers of power, nearly all of them women.
Möge die Macht in dir sein: Im zweiten Teil seiner »Dune«-Saga dringt Denis Villeneuve tief ins Herz der Finsternis vor. Seit Stanley Kubrick hat kein Regisseur mehr mit solcher Präzision einen Film als Welt entworfen.
An expansion and a deepening of the world built off of Herbert’s prose, a YA romance blown up to Biblical-epic proportions, a Shakespearean tragedy about power and corruption, and a visually sumptuous second act that makes its impressive, immersive predecessor look like a mere proof-of-concept. Villeneuve has outdone himself.
A colossal blockbuster that justifies its scale: Part Two is a triumphant - and tragic - look at the cost of power... Villeneuve’s film is a grand success, working on an even broader canvas than the first Dune - but it’s tinged with deep mournfulness, a quality that sets it apart from its blockbuster contemporaries.
Bigger, wormier and way far out: Timothée Chalamet and Zendaya make an appealing pair in Denis Villeneuve’s follow-up film, and the actors fit together with tangible ease... The sequel resumes the story boldly, delivering visions both phantasmagoric and familiar. The art of cinematic spectacle is alive and rocking, and it’s a blast.
![Demon Slayer Kimetsu No Yaiba Kino Intimes Berlin Schaufenster](programm/2024/Demon-Slayer-Kimetsu-No-Yaiba-Kino-Intimes-Berlin-Schaufenster.jpg)
Demon Slayer: Kimetsu No Yaiba im Kino Intimes Schaufenster
![Hayao Miyazaki Studio Ghibli Kino Intimes Berlin Schaufenster](programm/2024/Hayao-Miyazaki-Studio-Ghibli-Kino-Intimes-Berlin-Schaufenster.jpg)
How Do You Live? - Wie lebt ihr? aka Der Junge und der Reiher / Studio Ghibli & Hayao Miyazaki-Anime im Kino Intimes Schaufenster
![die Kinoachse Lichtspiele in Friedrichshain](images/web/die-kinoachse-Lichtspiele-in-Friedrichshain.jpg)